Defining Narrative

Talking with a prospective client–a leadership and team development consultancy– a few weeks ago, I explained how I would approach writing copy for their new website.  I told them that more than simply writing copy, I would work with them to define and craft a narrative their clients and prospects would connect with emotionally.

All good marketing–from billboards to case studies to blog posts to video, tells a story.  And yet, narrative has been elevated to godlike status in the social media and viral marketing worlds, where the stakes are so much higher, and the potential for growth exponential.

All of this got me thinking, what exactly comprises a client’s narrative?

Most of us have heard the old-school marketing term, Unique Selling Proposition. The USP defines why a company is in the field they’re in, how their service differs from other professionals in the same field, what services and products they provide, etc.

But what if there’s another level of narrative, equally compelling, that can resonate with the client/prospect on a deep personal level? What if this brand story follows a typical story arc?

Consider, for example, how you might answer these five questions about your own service or product:

  • What is the central conflict in your customer’s story? (The Problem)
  • Who are the heroes of your customer’s story?  (Heroes aren’t necessarily people; they can also be situations, attitudes, etc. Often, though, the hero is the customer)
  • Who/what are the villains?
  • What must the hero learn?  What tests must they pass in order to overcome the conflict? (Solution to the problem)
  • What is the world like now?

The Unique Selling Proposition is still an essential part of any marketing message. But in the age of YouTube and non-stop entertainment, we need to dramatize our business narratives in ways that inspire an even greater emotional response and resonance. A well told story does just this.

So what I believe is this:  When the answers my client and I come up with together not only say what makes the firm unique but also form a dramatic narrative structure we can use for the firm’s website (and ultimately the entire brand), we’ll have clients lining up to hire them.

Filed under Branding, Small Business Marketing, Social media, Storytelling and tagged , , , .

On culture and social media

Frank Cutitta is founder and CEO of the Center for Global Branding and former CEO of the International Advertising Association. A lifelong student of social anthropology (anthropologist Edward T. Hall is on Frank’s most-influenced-by list ), university professor, and veteran of the global computer technology publisher IDG, Frank has some intriguing insights about the role social media and culture play in global branding. We talked last week about this and other related topics, including branding in the higher-ed market.

How is social media highlighting the role of culture in global branding?

As an example, the Chinese are three times more likely to chat and micro-blog than Americans. Given China’s legacy of communism and conformism, there’s a lot of pent up energy to communicate. But understanding how and what people communicate and purchase is what’s really important. Chinese consumers are more likely to go home to get their mobile phone if they forgot it than they are their wallet.

What does this behavior tell global marketers?

For one thing, geo-based and local search advertising are becoming essential. It may sound premature, but we’re operating in an American cocoon that in some cases is a full generation behind. We’re talking about hundreds of millions of consumers–the majority of them connected. In Japan, consumers are more likely to use social media on their mobile devices than on their computers, thanks to a mature 3G , and now 4G and 5G networks.

What’s really interesting is the role culture plays in how the Japanese and Chinese perceive and interact with social media. Both are collective cultures that operate as groups, versus the individualistic cultures of the U.S. and Western Europe.

How does collectivism affect social media user behavior?

First, I believe social media is very liberating in a collectivist culture. It gives consumers an opportunity stand out in the crowd. And yet, the collective remains very important, especially for the Chinese and Japanese.  For these users, social media reinforces the idea that one can be individualistic in a collective society.

Not surprisingly, collectivist societies are more in tune with trends such as crowdsourcing. There’s a comfort level working in disparate groups for the common good. In the U.S. the ability to collaborate is a common skills gap in high school students and throughout their professional careers.

How are your higher-education clients using social media?

Branding is extremely challenging for colleges and institutions recruiting globally. This is changing as more colleges are hiring chief marketing officers from consumer and technology business to run their international marketing groups. For example, there are tremendous subtleties in what Italian students are looking in an American education experience, compared to Japanese students. There’s also the question of whether the student wants a truly “American education” or an  international education” that happens to occur in the U.S.

To some extent, the big social media sites allow prospective students to experience the vibe of the university. But as higher education becomes more commoditized due to globalization, the one-size-fits-all social media strategy will need to become more culture-specific .

Go to the Center for Global Branding http://www.brandsintl.com. Follow Frank http://twitter.com/fcutitta.

Filed under Social media, Social media case studies and tagged , , , , , , , , , .

Donut Social

I had another social media a-ha moment. It happened over donuts this time. My husband had promised our daughter donuts if she did well at her Saturday swim meet. She kicked butt on all four of her events, so on Sunday morning we piled into the car and headed for the Mission district in San Francisco.

Driving 40 minutes for a three-dollar donut only sounds ridiculous if you haven’t heard of Dynamo Donuts. This unique shop fries up exotic recipes like Maple-glazed Bacon and Chocolate Spice (the menu changes daily–follow them on Twitter), and light, crispy dough that’s beyond comparison—even for this reluctant foodie.

We ordered a baker’s dozen, two French Press coffees (killer coffee, I might add) and settled in for a small feast. My daughter grabbed one of the kid’s books off the shelf (the Dynamo library consists of only donut-related stories, including the classic Homer Price). My husband used his iPhone to take several shots of our tasty selection, and uploaded them to Facebook. Within seconds, current and would-be Dynamo Donuts evangelists had commented.

Then I happened to glance at the table next to us. The couple was arranging their donuts, and taking photos, too.  So were the women at the table next to them, and the group of guys next to them.

Once again, I was reminded that we humans can’t help but tell our friends about unique products and experiences. This is the natural result of trying something new and really digging it. The key of course, is creating and then sustaining that novel experience for consumers.

Brands that want to be part of the social media conversation (and what brand doesn’t?) need novelty more than they need strategy.  Don’t let social media consultants tell you any different.

Filed under Social media, Social media case studies and tagged , .

Q&A: The art of the blog tour

The blog tour, or virtual book tour, is a standard promotional tool for authors and publishers. Karen Leland is the go-to PR consultant for authors and other creative types. The author of seven successful books,  a prolific freelance writer, and self-described foodie, Karen is fully engaged in the art of social media—for promoting both her own work and her clients.

What is a blog tour?

Today’s answer to the brick-and-mortar book tour. Publishers can’t really justify the expense and sales are relatively low. So instead of readings and signings, the idea is that the author guest-posts on blogs whose content and/or audience relates to the topic of the book.  The book drives the content strategy for the blog tour.

Give us an example.

If you have a book about changing your lifestyle and moving to, say France. You’d pitch the editors of foodie blogs on posts about dining or farmers markets in different regions of France. People who love France are often foodies.

Do blog tours work for other types of clients?

Absolutely.  Take for example, a child safety product manufacturer. The client (possibly with the help of a ghostwriter) could write a series of posts on how to keep children safe.  A clothing manufacturer or designer could blog about spring fashion trends happening, a lawyer a series of opinion pieces about foreclosure. In each of these cases, the posts drive traffic to your site.

How do you identify the blogs to target?

I use Blog Catalog.  When I make the list for the tour, I consider the focus of the blog and quality of audience– not the number of people that read it.  Blog PR is no different than traditional PR. The biggest turn off for an editor of a blog is a badly crafted pitch that has no relevancy for that blog or publication.

Do blog tours drive sales?

They can. Someone may link to your site from a blog post, but this doesn’t mean they’ll convert. It’s critical that website appeals to your target audience. Often I work with clients’ web designers so that when visitors link to the site they experience a consistent message and look and feel. I worked with a relatively unknown artist and author recently. We posted press releases to elevate his SEO presence. Then we booked him on Internet radio, which leaves an electronic footprint. After we got his name out there, we did a blog tour.  He sold books, and he booked speaking gigs. Another client had produced a CD on sleep programs.  We considered all the people who might benefit from this CD: The audience included women going through menopause, overwhelmed moms, and stressed out business people. We pitched guest posts about sleep to parenting, business, and other blogs read by these people. Then we pitched the same ideas to TV, radio, and print media. So the tour drove the rest of the PR.

Find out about Karen Leland and her firm Sterling Marketing Group at www.karenleland.com. You can also read her books on Kindle or in print. Check out Email In An Instant: 60 Ways to Get Your Message Across with Style and Impact. It’s excellent.

Filed under PR, Social media and tagged , , .

Gaga over Wonder Bread

Lady Gaga recently achieved a pop star, YouTube milestone of one billion views,  across three of her videos. Her latest, “Telephone, ” is packed with products, some paid placements, some not.  Miracle Whip, Wonder Bread, and Polaroid are among the brands featured in this sexually explicit, bad-girl, lesbian prison story.

In one scene in “Telephone,” Lady Gaga is released from prison, and with her accomplice Beyonce visits an American diner, where the two proceed to poison the all-male clientele.  

Supposedly, Wonder Bread didn’t pay for the placement. If this is true, that’s a lot of free advertising. 

Consider the irony of a brand billed on daytime TV used as the bread that  “builds strong bones in 12 ways,” and that is now the main ingredient (along with Miracle Whip)  in Lady Gaga’s poison sandwich.

Or do the two brands have more in common than first meets the eye? (As in overly processed and light on substance.)

I wonder, though–does it really matter what your brand stands for when one billion people are glued to their computer screens, hanging on Lady Gaga’s every tongue thrust?  Given the associated cool factor, thanks to the slick Lady Gaga marketing machine, how many of these viewers will reach for a loaf of Wonder Bread next trip down the bread aisle?

If sales do go up, I bet Weston Bakeries of Canada (yes, Wonder Bread is  Canadian owned)  won’t be too public about it.

Filed under mere musings, Social media and tagged , , , .

Engaging in etymology

Few verbs have had more ink, air, or web time lately in marketing circles than, “Engage.” The word’s been elevated to near-celebrity status, brought to us by the social media revolution. 

I’ve been reading (and mostly enjoying) Brian Solis‘s Engage!, which could explain why the word is on my brain more than usual. And I’ve been curious about its etymology.  

Being a fan of  hard-copy dictionaries (the heavier, the better), I did what any logofile does–I looked up the word. Here’s what the 2001 edition of the New Oxford American Dictionary had to say: 

Engage comes from the Middle English word ingage, which comes from the French word engager. The original meaning was “to pawn or pledge something,” which evolved to “to pledge oneself,” and eventually ”to involve oneself in an activity,” “enter into contract,” and finally, “to involve someone in something.” 

Coincidentally, the etymology of “engage” follows the evolution of marketing from a company-centric practice (pledge or involve onself) to community-centric (involving others) approach.  In the former world, messages and images were controlled by the company delivering them; in the latter, marketing or “unmarketing,” to quote Solis, has became a conversation the company participates in, and perhaps shapes, but doesn’t control. 

I wouldn’t be surprised if future editions of the Oxford American Dictionary took into account the influence of social media on the evolving definition of “engage.”

The new definition? How about this: “To participate in a conversation among likeminded individuals belonging to the same community.”

What’s your new definition?

Filed under Social media and tagged , , , , .

Cowboy Todd and my social media a-ha moment

I teach social media classes at the local library, alternating between blogging, Facebook, and LinkedIn–sometimes mixing it up YouTube and Twitter classes.

These classes are a free community service. The level of knowledge ranges from beginning to intermediate.  Some students are curious about social media and want to find out what all the fuss is about, others wary about their privacy, or about the encroachment of the Internet on, well, everything. Pretty much to a person, students haven’t been bit by the social media bug. Not yet.   

It took me awhile.  But last week, I got bit. All it took was a single blog post, from Todd Defren of Shift Communications

Todd’s good-looking (that’s him in the upper right),  smart, and a kick-ass PR guy who knows a ton about social media. But that’s not what got me.  His post made me smile. Hell, it made me happy

I know I’m gushing.  But everyone who participates in social media long enough has their ah-ha moment. And this one was mine.

Todd announced he would not be attending SXSW in Austin. Instead, he was sending his cardboard Doppelganger Cowboy Todd.  Todd (the real one) rallied SXSW attendees to get in on the fun:  Tweet about Cowboy Todd, check him in at Foursquare, create a spot for him on Gowalla, take a photo with him and send it to Shift for posting on the  PR-Squared and the Shift Facebook Fanpage, and film themselves partying with Cowboy Todd. The agency would hand out prizes for the best entries (no announcements, yet).

So maybe social media isn’t all about the evil marketers scooping up our personal data and using it for nefarious purposes (as some of my students at the library fear).  Maybe it really is about connecting and communing with the tribe. 

I presume the ultimate goal of the Cowboy Todd “campaign” was  to generate buzz for Shift and to show what a savvy social media agency they are. But these goals were secondary to engaging people.

Consequently, I didn’t feel “marketed to” or messaged at or manipulated. I felt connected, part of something bigger. And I wasn’t even going to SXSW.  

I can only imagine what the folks who ran into or hung out with Cowboy Todd felt. Judging from some of the photos, they had a helluva a good time.

Filed under Social media and tagged , , , , , .

Counting tweets and tacos

Back when I working as an in-house PR manager for PC World magazine, then as a  freelance publicist for dot-com clients, ink (and airtime) was pretty much the measurement of success. Social media has changed all that.

Mind you, clients still expect and deserve both print and online media coverage. But new metrics have been added to the mix. Tweets or “re-tweets” is one. 

The more tweets the better. Right? Not necessarily. 

I asked Todd Defren how many tweets makes for a happy client. Todd is a principal of Shift Communications, a PR firm known for their social media marketing expertise.

He says that while his firm measures the number of re-tweets for all client programs, quality  trumps quantity. Who is doing the re-tweeting?  Are they influencers? Do their re-tweets reach thousands or just a handful? What is the business impact of the tweets? For example, how many Twitter users clicked through to the client’s website?    

 “Try telling any savvy CEO about the 1,001 re-tweets they got,” Todd explains.  “They’ll immediately turn to the marketing [or PR] exec and ask ‘How did this increase traffic and conversions?’”   

Some tweets have a more immediate effect on the bottom line. Take the use of Twitter by Kogi, a Korean taco vendor (yes, Korean) in Los Angeles. For Kogi, tweets translate quickly into taco sales. As the truck travels around LA county each evening, Kogi tweets upcoming stops to fifty-seven thousand Twitter users. Hungry followers flock to the truck at the announced location.

Tweets for tacos. Now that’s a metric tech companies and their PR teams can envy.

Filed under Social media and tagged , , , , .